“Apocalyptic Time and the time of APOKATASTASIS”
Music in the Apocalyptic Mode. Lorenzo DiTommaso and Colin McAllister, eds.
Leiden: Brill. pp.373-383. 2023.
“Roger Reynolds’ Sanctuary: Musical Unity, Compositional Cohesion, and Dimensions of Identity”
First : Listen, Issue 1, 2021.
https://firstlisten.online/issue-1/forshee-roger-reynolds-sanctuary/
“Words After (and From Before) CONVERGE – an afterword”
Inside In, Outside Out, texts by Benjamin Boretz. Tildy Bayar, ed.
Open Space Publications, Red Hook, NY. 2020.
“Things That Matter (One of What Follows is not a Thing)”
The Open Space Magazine, Issue 21. 2018.
“Music, as a Music”
The Open Space Magazine, Issue 21. 2018.
“Things That Matter (One of What Follows is not a Thing)”
The Open Space Magazine, Issue 21. 2018.
“Speaking of Listening, Speaking of Seeing: Group Variations II by Benjamin A. Boretz and Russell Craig Richardson; Or, Dialogue Between Ibn Sina and Ibn Rushd on ‘Time and What We Make of It’
The Open Space Magazine, Issue 19 / 20. 2016.
“How a Short Story Becomes an Opera”
Interview of Heather Fowler and Jon Forshee by Queen’s Ferry
Press about the opera Blood | Hunger | Child.
Published July 2015 online here.
“Towards Transcribing Trevor Wishart’s Globalalia”
The Open Space Magazine, Issue 12. 2011.
“Who the Hell is J.K. Randall?”
The Open Space Magazine, Issue 8. 2006.
Live Music Reviews, Paris Link magazine, 2005–2006.
“Composers’ Desktop Project 5.0.1 review”
The Computer Music Journal, 29.5. 2006.
“Rarefactions”
Perspectives of New Music, 43/2. 2006.
“Thinking around BAB-O”
The Open Space Magazine, issue 7. 2006.
“Reflexions of Robert Morris’ Four or Five Mirrors”
Open Space Magazine, Issue 6. 2004.